My friend M was over few days back and after we had chatted for the better part of the day and exhausted every mutually agreeable topic at our disposal, she walked over to my bookshelves and started examining. It's a time honoured ritual. I do it every time I go to her place and years ago when we shared a PG in Bombay we enjoyed making people play Guess the Books by asking them to guess who owned which book on our Bright and Hand painted flimsy cane book rack. They always got it wrong.

Anyway, this time she walked over to the books at home and instead of clucking negatively like she usually does or making sarcastic comments like I do to hers (she's deep into healing and meditation and most of her books reflect that), actually lifted off books and started looking at some of them with interest.
Hmm, Smoke and Mirrors...Indian journo in China...seems interesting!
Istanbul...Pamuk...I got that one too but need to sit down and read
The Duchess...don't know why you'd want to read gossipy history that doesn't concern you
And then just as I thought tradition was being turned on its head came the downer:
You know for someone who reads fairly varied stuff I really don't know what you're doing with so much chick lit!

So I decided to do a bit of soul searching and asked myself why and here, purely for the sake of self-indulgence are the reasons:

*Good chick-lit is like comfort food at your favourite restaurant. You always know what you are going to get and don't have to break your head trying to figure out whether the flavours were just right or the masala completely masked the natural taste and make intelligent comments. In fact, you don't need to comment at all.
* It's the best thing to read when you are surrounded by a child who's zipping around the house pretending he's a fighter plane and a husband who's practising the same guitar chords for the last one month. You know that even if you zone out Pages 125-130, you will still know what happened and don't have to waste time by going back.
* It's deliciously predictable. In Brit chick lit the girl is a middle class type from distant suburbs with an utterly embarrassing mom. But she (not the mom) has good enough looks, clothes, posh friends and a barely affordable life in London. And the perfect man in the garb of a superbly wealthy lawyer or entrepreneur lurking around. The Manhattan types are easy to describe. Sex and the City turned into book, with different characters, shoes, clubs and clothes. And of course, failed writer turned average drummer turned the world's only humble celebrity chef type man waiting in the wings. The Indian chick lit in accordance with our diversity varies a bit. If it's written by an author living outside India for a while, the girl is invariably from a sheltered, over protective conservative background making her way up the competitive and sometimes scandalous world of modelling, fashion journalism, ad films, etc. If the author's been living in India and therefore aware of how the urban girl actually behaves and thinks, her protagonist is more interesting with witty one liners and a great sense of humour. As with everything, there's always the mandatory He's-too-good-to-be-true-for-me man waiting in the wing. Usually a CEO type or an investment banker. Though there have been very enjoyable guitar strumming dads and star cricketers.
The best of all? They are cheap. C'mon, in the world of books starting at Rs 800 plus, Rs 295-395 counts as cheap. So that if you can bear to part with it or are too embarrassed to place it next to the Gurcharan Das book you know you will never read, you can always go to Blossom Book House on Church Street and sell it or better still, donate it to the building library. The teenage girls coming there to borrow M&Bs will love you and probably develop a taste for reading something that's a shade (and sometimes, many a shade) better.
It's practically social work.